“Maganito” begins the possibility of a transmissible Tagalog neo-traditional spiritual and communal ritual combining spirituality with dance. In a post-colonial society such as the Philippines, glimmers of Indigenous practices remain within Catholicized folk practices. Using surviving practices learned from Southern Tagalog culture-bearers and recorded descriptions of Tagalog rituals by Spaniards, this performance will combine these with similar practices found across Philippine cultures to create not just a piece but a healing ritual.